Classes, Thesis, and Faeries

Hello, everyone! I think I’m finally warmed up and ready to face thesis year. Here are a few updates as to what I am doing myself:

Both of my literature seminars are extremely captivating. I’m currently reading Blood Meridian by Cormac McCarthy for my american gothic lit class – I’ve been listening to a lot of Nick Cave while doing so for the full Western Bloodbath effect. I just finished episode 10 of The Wire. I knew I wouldn’t escape that show emotionally unscathed. The 1st season isn’t even over!

I’m at the halfway point on my icon assignment for my Advanced Illustration class. I finished inking the line work and scanned it in so I can create some digital magic with it. Here is the line work I finished this weekend:

linework for icon piece
Valerie Herron 2012

I’m not sure, but I think my professor mentioned something about this piece being in a gallery show once it’s finished? Stay tuned!

I somehow managed to keep up on all this work on top of rehearsing and performing in my dear friend’s wedding ceremony. Congratulations Chris and Terry Hartgrove!

I pitched my basic thesis idea yesterday, and it was approved! So I will be spending the next several months researching allegories, demonology, and the Romantic & Symbolist painters. Woot! I will reveal my thesis idea when it is a little more realized.

The Nightmare
John Henry Fuseli 1781

Last but not least, for fans of the Faerieworlds/FaerieCon events: it was announced today that a new feature has been added to the upcoming FaerieCon East, The FaerieCon Book Club! The FaerieCon Book Club will give people a chance to join a discussion with fellow FaerieCon participants, hosts, and fantasy authors at the next FaerieCon East. You can find out more details about the book club at the FaerieCon East website, and you can join the discussion early at the FaerieCon Book Club Facebook page.

That’s all I have for now. I will continue to keep you all posted as thesis and the rest of these projects unfold :)

Thesis Year: Into the Fray

Alright, I am back in school for my senior year at PNCA. So far it appears that the whole process around my senior thesis will be a harrowing experience. Having my ideas ripped apart my the department head and classmates until they are distilled into something good, two speeches in front of the school and a panel of inquisitors, and a giant research paper. Not to mention the massive project itself. Pray for me. I will definitely show some of the process here as my thesis project develops.

please don’t break me.

I have two literature seminars that I am so insanely excited for. One of them is about American Gothic literature, and the other is all about The Wire. Will I have a shred of optimism, or any trust in my culture’s institutions at the end of this semester? I’m not bothered, I feel like both are going to inform my thesis quite a bit.

Omar comin’ y’all.

 

In my illustration classes, thankfully we are starting with some basic, warm-up design assignments. My first was to create a collage combining my work with the work of others (max. of 10 images total), and then designing it into a composition.

ATTENTION ARTISTS: It is only appropriate to do this sort of thing for educational purposes. I will not be putting this piece on my website or selling it. Do not use other people’s art in your work!

I decided I wasn’t going to make it some sort of homage to my favorite artists because A. that would be hard to narrow down and B. how fucking tacky would that be? I looked through the pile of images that I collected of work I love and made this weird, sci-fi image:

a collage of stolen goods

I’m sure you can recognize the work of Hieronymus Bosch, John William Waterhouse, and Stephanie Lostimolo. I collaged in Circe from my work. Oh yes I did just put a collage within a collage! I’m a loose cannon.

Then I added my Cernnunos icon, scanned and collaged in some textures, threw on text, and there you have it. It was a fun assignment.

Imagepath assignment, Valerie Herron 2012

The second assignment – the process for which is stretched out over the next few weeks – is to choose an image from a list of options and create an icon. I chose the option “your choice of animal.” Here are a few of the thumbnail sketches from Friday. Are those ram-horned serpents? Maybe…

I swear they’ll look fierce when they’re no longer thumbnails…

I’m still on the fence. They may end up just adders.

With my workload increasing, I’m not sure how often I will be able to post updates here, but I will do my best to stay somewhat consistant. I sleep now!

A quick review of Dead Can Dance at Marymoor Park

I discovered Dead Can Dance when I was 14, and shortly thereafter discovered that they had disbanded. They’ve since had a few reunion tours that I managed to miss, so I didn’t have high hopes for seeing them in concert, let alone a new album. Naturally, I was excited to find out about their plans for touring this summer to promote their new album, Anastasis. After months of waiting, I finally got to see Dead Can Dance on Friday, August 10th at the Marymoor amphitheater.

The Marymoor is a natural amphitheater just outside of Seattle, WA. Despite the outdoor setting, they managed to make the show feel more like a formal, orchestral event and not a hippy festival. This was accomplished by hugging the stage with several rows of seating for priority concertgoers. Meanwhile, the folks that bought GA tickets were stationed on the knolls (which felt like a mile away from the stage). People dancing were corralled to the back corner of the venue. This all made for less of an immersive concert experience than I would have liked, but that was my only complaint about the show.

The sound in the amphitheater was phenomenal. The set list mainly consisted of new songs, but they played some old favorites such as Sanvean and The Ubiquitous Mr. Lovegrove. Their new music was not a huge departure from their previous work. It is all very Greek and Middle Eastern combined with the familiar vocal elements of Lisa Gerrard’s wailing glossolalia and Brendan Perry’s reverberance. I don’t believe I am qualified to review the new music, but I can say that I loved it instantly, and I couldn’t have had a better introduction to it.

The concert was absolutely beautiful, and I was elated to see Dead Can Dance in person, finally. I highly recommend going to see this show, the remaining tour dates and ticket information can be found here at their website: http://www.deadcandance.com/ 

Faerieworlds, Dead Can Dance, and Portraits

Heh, it’s been about a month, so I suppose it’s time for an update…

Faerieworlds 2012 Summer Festival was amazing, hands down. I drove down to Eugene with my dear friend, Tina, on Friday and Saturday. I ran into so many good friends and danced more in 2 days than I have all year. So necessary. Sadly, I had to come back from Arcadia.

Buddies at Faerieworlds. Clockwise from the bottom: Michael, Tina, Jason, and me.

Back to work. I just completed a portrait sketch for friend and local musician Kenneth Barton. His band Petal Songs is based in Portland and has been together for over a decade. He commissioned this another portrait, and we are talking about album cover design and illustration work coming up in the fall. I’ll continue to post all the work I do for Ken.

A sketch of Kenneth Barton.

As I’ve mentioned before, I am a tentative painter. I hate the process of creating a painting when the piece is very important to me. For over a year I have been trying to start this portrait of my dear friend, Eleanor. Over a year ago I conducted a photo-shoot at her house in Seattle to capture the composition and have reference for the piece. Then I did a digital mock-up painting for a study, and then moved on to the actual painting. I restarted it twice. Then I put it aside. Then I did countless tiny studies, scared to death to start working on the actual piece. I finally started working on the final piece this week. I must finish this damn painting before school starts. Here are some pictures of the process so far:

On Friday I will be driving to Seattle to see Dead Can Dance in concert. This has not quite sunk in yet. DCD is largely responsible for most of the music I love. This may be the only concert I’ve ever attended where I get a little star-struck and manic. As manic as one can be while listening to droning incantations and folk dirges. If I can dissociate from my inner 14-year-old enough to notice various details of the concert, I’m hoping I can write a review of it on The Movement of Sound.

There, I’m that is enough update to make up for a month of silence!

Anna Fidler

Hello! I am back from a few weeks of birthday revelry interspersed with a billion projects. I hope the Summer has been as fun and productive for the rest of you. To kick off her newly renovated website, as well as her current exhibition down in Oakland, I wanted to write a bit about the awesome lady I’ve been an artist assistant for for the last few years.

Anna Fidler in the studio with daughter Willow
photo by Sabina Samiee

I first met Anna Fidler my freshman year at PNCA. She was one of my drawing instructors, and at the end of the semester she offered me an internship to work as an artist assistant for her. I have been working for her on and off ever since.

See all those lines? They took months to draw.

In my time assisting at Anna Fidler studios, I’ve helped work on a couple of different series. The first is comprised of several portraits of Victorian Oregonians, the second is centered around iconic women, but I can’t really reveal any more about it for the time being.

As an artist assistant I’ve done everything from research at the Oregon Historical Society, paint pours, transferring line work, applying color and texture with prismacolors, repair, prepping pieces for gallery display, and assisting in physically setting up gallery shows, and I’m sure a bunch of other things that I’m forgetting.

Anna’s style and process of creating these mixed media pieces is unique and fascinating, and I must admit it has definitely rubbed off on me in my own work.

Mister George, by Anna Fidler
20.25 x 15.25 inches Acrylic and colored pencil on paper 2012

Pieces from the 1st series, Vampires and Wolfmen, are currently exhibited at the Johansson Projects Gallery in Oakland, CA. The series will also be exhibited in Portland at the Charles Hartman Gallery later in the year, and in September the series will be exhibited at the Portland Art Museum. I will announce the dates as they come in. I urge everyone to go see the work in person. And once again, you can find out all of her background info and about her other work at her website: http://annafidler.com/

I must now get back to watercolor studies and writing comics. Soon I’ll have something I can actually share ;)

Conjure Oils! and other updates

Hello kids! I hope your summer is shaping up to be as magnificent as mine is. One thing is for certain, having a magnificent summer is distracting. I have to bring myself back inside from my woodland mirth-making and Venusian inebriation to actually get some things done! With that, I bring you my review of :

CONJURE OILS! graphics by Vajra Conjure

Now, it is no secret that Vajra Conjure is a personal friend/one of my favorite people on this planet. I would like to point out, however, that our friendship started because I sought her out to tell her how baller I thought her oils were! She truly is a genius parfumier. She is also a liscened councilor, and an art school graduate. I actually really aspire to her level of talent in design.

the beautiful and talented Vajra. Graphics by Vajra Conjure.

Vajra’s business is Conjure Oils. It is a local (Portland, OR) company that makes and sells perfume oils, soaps, and lotions. I used to get my perfume oils wherever I could, but now I really can’t bring myself to use anything other than Conjure Oils. Seriously, they will ruin you for all other perfumes. I have quite a few of Vajra’s products, but I will review the few that I had intended to review awhile ago. I will certainly update with reviews of her other products as I purchase them, but I encourage you to go to the website to check out her entire inventory, as I guarantee you that you will find something that you absolutely can’t live without!

Conjure Oils merch. Photography by Valerie Herron 2012

 ~~~

Circe: oil by Vajra Conjure.
Photography by Valerie Herron.

  CIRCE

{Master Sorceress}

Hypnotic star anise, narcotic opium and black ice mesmerize the senses. Pure magic.

This perfume unfurls like a narrative. At first it comes across as dark, cold, sweet scent that brings with it imagery of deep, coastal grottos and lurking Nerieds. As you wear it through the day, the scent transforms from a powerful anisian aura to a trace of something similar to Baby Soft, but much more stunning. Oh, and you may recognize that graphic on the bottle ;)

Morrigan: oil by Vajra Conjure.
Photography by Valerie Herron

MORRIGAN
{Celtic Goddess of Death & Magic}

“Murders of ravens shriek hungrily over a battlefield: Smoky amber, white narcissus and bloody rose blossoms wilt in the night air”

 Sorry to disappoint, but this perfume does not smell like a bloodied field of sundered Celts. It does, however, smell fucking amazing. First you will notice a misty hint to this blend that is reminiscent of a rainy forest. It reminds me of walking around in the Pacific Northwest. Next comes a subtle note of  rose, and it is then encapsulated in a bite of something that makes it all smell antique. It’s how I imagine women of the Unseelie Court smell, and I slather it on regularly.

Aradia: oil by Vajra Conjure.
Photography by Valerie Herron.

ARADIA
{Bella Strega}
“Italian holy daughter of Diana who was charged with the protection of the oppressed and the guardianship of her subversive witches. 13 sacred ingredients grace her perfume including rue, Tuscan bergamot, olibanum, black myrrh, artemisia, thick nocturnal musk and incense burned in the light of the full moon”

This blend is definitely on of my favorites. It is spicy and summer-y. Sniffing it straight from the bottle, it smells similar to Circe, but more savory. After rubbing it into my skin the scent turns into a candied bouquet of witchy plants. You will smell like a witch’s spice rack, and probably get more compliments on your perfume than ever before. I certainly do whenever I wear Aradia.

Eve: oil by Vajra Conjure.
Photography by Valerie Herron.

EVE
{Biblical Temptress
}
“Red apples, green serpents, fig leaves and other forbidden fruits and flowers in the Garden of Eden”

When I first smelled this, I was so stoked. This is the perfect “medieval” perfume I had been searching for. Sniffing this blend will fill your head with tart apples, mulling spice, and the colognesque scent of distilled fig. MADRIGAL!! I love this blend so much I somehow managed to spill it all over my altar :(

Wear this to accentuate any medieval costumery.

Whore of Babylon: oil by Vajra Conjure.
Photography by Valerie Herron.

WHORE OF BABYLON
{Sacred Slut
}
“A wanton blend of a fallen starlet: scorched vanilla, champagne and pink diamonds. Our most popular fragrance has been restored to is former glory!”

With good reason, this is Conjure Oil’s most popular scent. Even my Mom (who is a Baptist) LOVES this perfume and hints at me constantly to procure more for her.

How to even describe this masterpiece? It’s like being in a bath full of fragrant herbs while naked priestesses are poring candied sangria into your mouth. It’s like Mickey Avalon in a bottle, minus the sleaze. Perhaps I should say Dionysus in a bottle. And one can not help but feel irresistible when wearing it, people will seriously sniff you as you walk by. It makes me wonder if Vajra put pheromones in it.

Spellbinding Soap: by Vajra Conjure
Photography by Valerie Herron

I have the moodiest, sensitive skin. I look at soaps with fragrance in them and I break-out and dry up. I don’t think I’ve ever been able to use fragranced soap without some sort of annoying skin problem, with the exception of Conjure Oils Spellbinding Soaps. These soaps are amazing. Vajra handmakes them, whatever scent or color you want. I have used  “Sweetest Strawberry” and “Whore of Babylon”, and both made me feel like a goddess. More importantly, they both made my skin soft and in no way irritated.

So there is my long overdue review of some Conjure Oil products. As promised, I will share more reviews in the future of Vajra’s products, as I will inevitably buy more.

Be sure to check out the Conjure Oils website, blog, facebook page, twitter, livejournal, and forum. Like me, Vajra is all over the interwebs.

Quickly, here are some personal updates: I am spending the next week reclaiming my house from clutter and working at my internship. Then I will start work on round 3 of Eleanor‘s portrait, and some video work for Raqs Obliettes. And somewhere in there I have a birthday.
Goodnight!

Updates!

Hello, everyone! I apologize the lack of posts in the last few weeks. I made it through finals, and I took a little break from the world to decompress. Never fear, I’m back now :)

My plans for the summer:

- I will be working one of two possible ambitious internships during the week

- I will be doing a ton of research and creative writing for my thesis project, which begins in the fall

- I will be doing daily work on watercolor studies

- I will be finishing a portrait of the infamous Elle Noir

- I will be filming and creating videos for Raqs Obliettes

- I will be putting together my costume for Faerieworlds with my girl, Tina

- I will be renovating my website

Now that I’ve announced all of that publicly, I have to do it. Damn. I will share the process of these projects as they unfold. Wish me luck, and send me vibes of productivity.