Le Fata Morgana

Greetings,

My triple super secret painting was a success! My buddy Jason had a landmark birthday this year, and so I wanted to commemorate this with a painting of Morgan Le Fay. I’m happy to say he was very pleased with it.

Morgan le Fay by Frederick Sandys, 1864

Morgan le Fay by Frederick Sandys, 1864

Morgan has been interpreted by so many artists over the centuries, it was definitely challenging to come up with an image that was largely original. I tried mostly to stay true to my personal vision of her, as mutable as that happens to be.

 

Sushila Battagione (incase you haven't heard, she has great hair.)

Sushila Battagione (in case you haven’t heard, she has great hair.)

As I mentioned before, I was so fortunate to have the lovely Sushila Battagione model for this epic role, and she was absolutely perfect. Conducting this photo shoot reminded me how much I love photographing people for reference in my paintings, and I decided that I want to create a series of devotional paintings of Goddesses that I have found connections with over the years. I have already scheduled the photo shoot for my next painting, which will be of Isis. I will continue to post updates here as that process unfolds.

Fata Morgana, mixed media, ©Valerie Herron 2013

Fata Morgana, mixed media,                          © Valerie Herron 2013

 

O sweet illusions of song
That tempt me everywhere,
In the lonely fields, and the throng
Of the crowded thoroughfare!

I approach and ye vanish away,
I grasp you, and ye are gone;
But ever by night and by day,
The melody soundeth on.

As the weary traveler sees
In desert or prairie vast,
Blue lakes, overhung with trees
That a pleasant shadow cast;

Fair towns with turrets high,
And shining roofs of gold,
That vanish as he draws nigh,
Like mists together rolled —

So I wander and wander along,
And forever before me gleams
The shining city of song,
In the beautiful land of dreams.

But when I would enter the gate
Of that golden atmosphere,
It is gone, and I wonder and wait
For the vision to reappear.

Fata Morgana, by Henry Wadsworth Longfellow

P.S. If you love this Morgan Le Fay painting as much as I do, you can obtain a print of it from my website! Check them out here:

http://www.valerieherron.com/buy-prints.html

Secrets

Happy Wednesday, All. As promised, I am going to commit to updating this thing at least once a week. So what’s going on in Mystic Media studios today:

I CAN’T TELL YOU! Normally I would post about the process of my projects, but I’m in the process of working on a top secret painting. I will let you know this, however. It will be mixed wet media, much like my Crowley poem series, and I was fortunate enough to have the gorgeous and talented Sushila Battagione to model for this painting. I’m hoping to have it finished by the 1st of July. Stay tuned!

the lovely Sushila Battagione - photo © Scott Belding 2013

the lovely Sushila Battagione – photo © Scott Belding 2013

**NOTE: Does this lady look familiar? That’s because you probably know her either from her artistic excellence in producing Raqs Oubliettes or from her many services and workshops via her health spa Oracle Wellness. If you are unfamiliar with either of these enterprises, I insist that you check them out immediately!**

I was so pleased to receive so much positive feedback on my thesis post, I was even quoted in The Wild Hunt (WHAT?) Thank you guys for taking an interest in my art and taking the time to tell me what you think. And thank you all for being so forgiving about the offensive amount of typos in my mini dissertation! I basically sat down and typed it all out in an hour, so it was naturally rife with mistakes. Meh. Thankfully my actual 50 page thesis paper was coherent and beautifully copy-edited.

Enough with the face-saving. There isn’t much else new and exciting going on around here. I did get to visit with my dear friend Sean who blew in from the midwest this week. We went to The Lovecraft and caught up a little bit. I brought my sketchbook and drew in the dark. C’mon, that isn’t nearly as pathetic as reading a book in the club. Is it?…

OH YEAH, it was my birthday on Sunday. I had a wealth of birthday wishes, my best friend Kelli took me out for dinner, my boyfriend organized a surprise goth pool party for me (for realz) I received 2 birthday readings and my dear friend Maxine Miller gave me this AMAZING cimaruta. Maxine is the artist that designed this cimaruta for Raven Grimassi‘s line of witchy products. I was stoked to get it from the artist herself ❤

My Cimaruta by the amazing Maxine Miller

My Cimaruta by the amazing Maxine Miller

 

“Keep your Space Face close to Mine, Love…”

Hello! I’m back from an insane week of decompressing from FaerieCon West and catching up on my work. I have finished my Star Goddess illustration!

I mentioned in the last post that Christine Hoff Kraemer had commissioned this illustration from me. Christine is a religious studies scholar, specializing in Paganism, sexuality, theology, and popular culture. She is a teacher, a prolific author, and the managing editor of the Pagan channel at Patheos.com. I was absolutely thrilled and honored that she sought me out to create the cover illustration for her upcoming book Eros and Touch from the Pagan Perspective: Divided for Love’s Sake.

Christine wanted a depiction the Star Goddess from the Starhawk creation myth. Check my last blog post for details about the myth and my process up to this point.

Finished with the thumbnails, I proceeded to create a textural background that I could scan into the image. I created this with a mixture of wet media: gouache, acrylic ink, and liquid acrylic paint. I felt like I was back in Anna Fidler‘s studio! When I create these kinds of textural pieces, I really feel like I’m in communication with the animal part of my psyche, or maybe my subconscious, that part of me that doesn’t analyse but simply responds to stimuli. It is very meditative.

textual background, mixed wet media

textual background, mixed wet media

nebulous abandon

nebulous abandon

Then I moved on to the line work. I knew that the lines in this image would mainly be a scaffolding for the painting, and I was prepared to remove it all together. For this reason I tried to make it as simple as possible

Line work for Star Goddess Illustration

Line work for Star Goddess Illustration

This drawing was deceptively challenging. Because I was painting God Hirself here, my goal for the figures were for them to be feminine, but ultimately gender-neutral. I was also very concerned with being able to express the angles of the faces without much detail, which was difficult. This was was probably my fifth attempt at drawing this.

I then scanned everything in and started painting digitally. Here are screenshots to show you some of the process:

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And here is the final result:

Divided for Love's Saketraditional and digital media© Valerie Herron, 2013

Divided for Love’s Sake
traditional and digital media
© Valerie Herron, 2013

I’m happy with her, and Christine seems to be as well.

On another note, I wanted to say that working at FaerieCon West 2013 last weekend was an amazing experience. It was extremely high energy and chaotic for me as part of the staff, but it was exciting. When I got home I was apparently still reverberating with all of this insane fae energy, my boyfriend asked me what it was like and all I could say is “I feel like I just spent the last three days doing meth with my boss in a hotel filled with glitter.” It was magical!

I not only got to see my dear friend Maxine Miller completely pwn her presentation about her illustration career, but I got to meet and hang out with a number of luminaries and creative professionals that I’ve been really wanting to meet like Raven and Stephanie Grimassi, T. Thorn CoyleStephanie Pui-Mun Law, Charles De Lint, and Mariee Sioux. 

Faerieworlds LLC is such a wonderful creative enterprise. There is something very empowering about giving people permission to harness their creativity and step into fantasy roles which express something very real about their inner selves. I have had a few conversations with the producer of Portland’s annual Vampire Masquerade Ball who has expressed that that is the main reason she runs the ball every year. She loves to see people feel beautiful and empowered at her event.

I view these sorts of events as giant art instillations that implore the viewers to interact. In fact, the instillation is comprised mostly of the participants and their contributions. It was truly amazing to be part of such a gorgeous, giant, crazy piece of living art and I look forward to working with Faerieworlds LLC as long as I can get away with it.

Thesis Plans Finally Revealed!

So now that it has been approved, and I have sorted out some of the details, I will finally divulge the premise for my thesis project.

The back story is this: when I was first considering giving up smoking a few years ago, I was discussing the difficulty of addiction with a friend and fellow occultist. He said to me “you just have to see it as it is. Your addiction to smoking is an elemental, and it has you.” I had never thought of addiction in those terms before, and this concept helped me grapple with, and eventually vanquish, that caustic demon. Around that time I also recalled a conversation I had with another dear friend about my issues with anxiety. She referred to it as a monster that I needed to name and conquer. I loved this idea equally, and informed her that someday I would paint my monster so that I may own it.

I stowed both of these concepts in my head, and over the years I have thought of many ways in which I could utilize them in my art. Everything from illustration series to serious apotropaic paintings. I finally decided that these are the basic concepts that would inform my thesis work here at PNCA.

My thesis will be a series of six, mixed media paintings depicting the metaphorical demons that enslave humanity. The work will utilize both traditional and digital media. The images will be tenebrous, figurative and allegorical in nature. I will take abstract concepts such as “disease” and “brutality” and personify them each within their own painting.

Here is a slide from the presentation where I pitched this idea for the first time, last week. It contains past work of mine that represent some of the ways I plan to approach the work visually, as well as some thoughts on research:

slide from 1st thesis pitch

The title for the project is “The Allegories of Subjugation.” I must admit, I really like the title. Good job, me. This weekend I narrowed down the number of pieces I will have in the series and what allegories I am going to create. The current step in this whole process is to create a mood board for the basic aesthetic of the project:

mood board for thesis
all images plundered from tumblr and google

So now that I’ve set this all up, I have to actually live up to the insanity of my own expectations. I will be scheduling photo shoots for photo reference in the next few weeks. For those of you in the PDX area who actually know me, let me know if you are interested in modeling for me. You could be immortalized as a demon!

Anna Fidler

Hello! I am back from a few weeks of birthday revelry interspersed with a billion projects. I hope the Summer has been as fun and productive for the rest of you. To kick off her newly renovated website, as well as her current exhibition down in Oakland, I wanted to write a bit about the awesome lady I’ve been an artist assistant for for the last few years.

Anna Fidler in the studio with daughter Willow
photo by Sabina Samiee

I first met Anna Fidler my freshman year at PNCA. She was one of my drawing instructors, and at the end of the semester she offered me an internship to work as an artist assistant for her. I have been working for her on and off ever since.

See all those lines? They took months to draw.

In my time assisting at Anna Fidler studios, I’ve helped work on a couple of different series. The first is comprised of several portraits of Victorian Oregonians, the second is centered around iconic women, but I can’t really reveal any more about it for the time being.

As an artist assistant I’ve done everything from research at the Oregon Historical Society, paint pours, transferring line work, applying color and texture with prismacolors, repair, prepping pieces for gallery display, and assisting in physically setting up gallery shows, and I’m sure a bunch of other things that I’m forgetting.

Anna’s style and process of creating these mixed media pieces is unique and fascinating, and I must admit it has definitely rubbed off on me in my own work.

Mister George, by Anna Fidler
20.25 x 15.25 inches Acrylic and colored pencil on paper 2012

Pieces from the 1st series, Vampires and Wolfmen, are currently exhibited at the Johansson Projects Gallery in Oakland, CA. The series will also be exhibited in Portland at the Charles Hartman Gallery later in the year, and in September the series will be exhibited at the Portland Art Museum. I will announce the dates as they come in. I urge everyone to go see the work in person. And once again, you can find out all of her background info and about her other work at her website: http://annafidler.com/

I must now get back to watercolor studies and writing comics. Soon I’ll have something I can actually share 😉

BFA Juried Show, the Wild Hunt, and Spring Break

I just finished submitting my 8 pieces for the PNCA Illustration Juried Show.This is the first time I’ve submitted work to a school show.

50 images from the 2011-2012 school year will be juried into the show and displayed in an opening reception during First Thursday in April. Cash prizes will be awarded for Gold, Silver, and Bronze medal winners, + 5 Honorable Mention awards.

Our department is full of extremely gifted illustrators, so I’m not banking on anything. It would be pretty cool to get selected though. These are the images I picked:

The last image wanted to be in the show sooooo bad, but I could only submit 8.

Spring Break begins today!!! It’s not too much of a relief, as I will be continuing to labor over my art all the way through the week. But I can’t complain, I don’t have classes to go to. Tonight I will be conducting a photo-shoot for my final project in my cultural marketplace class. I’m pretty stoked, I rented a bunch of photo equipment from the school and I have like 9 models working with me. I even got to borrow a bunch of shamanic costumery from the infamous Lupa. GO SEE HER AT PAGAN FAIRE TOMORROW!! She will make you look like a Shaman 🙂

Other than assignments, I will be working on getting my wares together for Portland’s first annual Dark Fairytale Ball. It’s only a month away and I have soooooooooooo much to do! Some of my original pieces will be in the gallery show, and I will also be vending.

Alright, I must now go get ready for the aforementioned photo shoot. I’ll keep you all posted on these various projects as they unfold.

Margaret Cho, to be Continued…

Here is a portrait I was drawing this morning of Margaret Cho, which I will have to come back to.

Now that my thumbnails are done, I can get to work drawing for my Alchemy project. So excited.

Later today I will be doing some photography for my next project featuring poems by Aleister Crowley. Stay Tuned.