Secrets

Happy Wednesday, All. As promised, I am going to commit to updating this thing at least once a week. So what’s going on in Mystic Media studios today:

I CAN’T TELL YOU! Normally I would post about the process of my projects, but I’m in the process of working on a top secret painting. I will let you know this, however. It will be mixed wet media, much like my Crowley poem series, and I was fortunate enough to have the gorgeous and talented Sushila Battagione to model for this painting. I’m hoping to have it finished by the 1st of July. Stay tuned!

the lovely Sushila Battagione - photo © Scott Belding 2013

the lovely Sushila Battagione – photo © Scott Belding 2013

**NOTE: Does this lady look familiar? That’s because you probably know her either from her artistic excellence in producing Raqs Oubliettes or from her many services and workshops via her health spa Oracle Wellness. If you are unfamiliar with either of these enterprises, I insist that you check them out immediately!**

I was so pleased to receive so much positive feedback on my thesis post, I was even quoted in The Wild Hunt (WHAT?) Thank you guys for taking an interest in my art and taking the time to tell me what you think. And thank you all for being so forgiving about the offensive amount of typos in my mini dissertation! I basically sat down and typed it all out in an hour, so it was naturally rife with mistakes. Meh. Thankfully my actual 50 page thesis paper was coherent and beautifully copy-edited.

Enough with the face-saving. There isn’t much else new and exciting going on around here. I did get to visit with my dear friend Sean who blew in from the midwest this week. We went to The Lovecraft and caught up a little bit. I brought my sketchbook and drew in the dark. C’mon, that isn’t nearly as pathetic as reading a book in the club. Is it?…

OH YEAH, it was my birthday on Sunday. I had a wealth of birthday wishes, my best friend Kelli took me out for dinner, my boyfriend organized a surprise goth pool party for me (for realz) I received 2 birthday readings and my dear friend Maxine Miller gave me this AMAZING cimaruta. Maxine is the artist that designed this cimaruta for Raven Grimassi‘s line of witchy products. I was stoked to get it from the artist herself ❤

My Cimaruta by the amazing Maxine Miller

My Cimaruta by the amazing Maxine Miller

 

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Obsession and the Equinox

Not an Allegory.

My current assignment for Advanced Illustration is to create an illustration in collaboration with B:Light Magazine (pronounced either Be Light, or Blight. See what they did there?) The art director, Lauren Schaefer, came in and spoke with our class about B:Light and to give us our illustration prompts.

B:Light is a project within PNCA’s MFA Collaborative Design program.

B:Light seeks to acknowledge and explore realities that are largely ignored, misunderstood or under-analyzed by mainstream cultural media. We hope to enhance literacy regarding such issues in hopes of motivating readers and out community to further inquiry and/or action. Our second issue of B:Light attempts to understand the omnipresent yet elusive complexities of addiction while pointing the finger back at ourselves, realizing that on some level we are all obsessed/addicts.” – Lauren Schaefer

This mission statement makes me want to mail them my thesis when I’m finished with it.

There were two articles to choose from, one about Portland, OR and another about Obsessive Compulsive Disorder. I was most interested in illustrating for the latter. We were asked to make the illustration not too dark to avoid alienating the reader (damn it) but still honest and not “glamorizing” the condition. Does that happen? Do As Good as it Gets and Monk really count?

I find the biggest disconnect between people with forms of neurosis like OCD, as well as other intense anxiety disorders, and the people that do not have them would be in empathy. It is extremely difficult to explain to someone what a panic attack is, or why it is happening, or why why isn’t even in the equation since they can happen at random. Many people have no reference for that sort of experience, and it can be frustrating to try and understand why your friend or loved one has to suddenly leave the grocery store or a party. At the same time, it is insulting to that friend to be asked to justify what is happening to them on a chemical level.

For the few people in my life with OCD, I know they experience the same frustration when trying to convey the anxiety that they experience over their fixations, and when they are not respected. They do not want to have to explain why they can not concentrate in a room with cupboard doors open, or have to justify why they have their apartment arranged in a very specific way and can’t handle things being out of place.

That disconnect, which can seem like a small thing, can be extremely alienating. Whether someone is unable to get out of bed because of clinical depression, unable to leave the house because of agoraphobia, or perpetually stuck in a compulsive ritual, it can feel like life just goes on for the rest of the world around you and you will find little compassion extended to you.

Considering all of those things, plus the criteria that Lauren had given us, I thought I would try to work from a form of obsession that everyone can relate to and push it to severity. But I did keep it light:

line work for OCD editorial© Valerie Herron 2013

line work for OCD editorial
© Valerie Herron 2013

I wanted to illustrate the concept of obsessive-compulsive nature in a dignified but fictional/conceptual way, and in a way that was relatable at the same time. As much as I like this drawing, I think the concept did get away from me a little bit. To reinforce the compulsive-ritual element to the piece, I created a wall of numbers with a brush pen and I plan on incorporating that in the background if the figure’s all consuming ritual of pulling off petals and her inability to stop doesn’t scream “psychosis!” to the art director.

numbersWP

We’ll see what happens. I will post the final illustration when it’s finished.

 

boxing hares

boxing hares

Happy Equinox! I started a tradition this year: The Ostara Rabbit Graffiti Challenge. Go draw a bunny somewhere you aren’t supposed to.

Ostara bathroom graffiti. MAYHEM!!

Ostara bathroom graffiti. MAYHEM!!

I seem to be the only person that has taken myself up on this challenge so far, though my uncle drew a rabbit in his office and my boyfriend drew on himself. I will strive for more clarity next year.

 

 

Valentines, Thesis, and The Star Goddess

Hello, Friends! I hope the Year of the Water Serpent is treating you well so far. Things continue to get busier and busier for me here, but as thesis progresses I become more inspired and excited about my project.

ecmajor-the-black-water-snake-of-the-new-year

I survived the dreaded PechaKucha. It wasn’t too painful, everyone seemed to feel equally unprepared and unsure of what they were supposed to be presenting. The good news is that it did really help me determine a direction for my research.

“In this paper I will consider why people need fictional allegories to empathize with the reality of suffering. I will explore the connection between allegory and social responsibility, as well as the ways that some find empowerment and catharsis through allegorical devices.”  – current thesis statement

I am examining historical and contemporary artists that utilize violent and tragic allegory to convey social and political messages within their work. To bring my paper back into the realm of contemporary illustration, I plan on dissecting a few relevant graphic novels that speak with the same vocabulary.

research materials

research materials

 

I finished the last bit of conceptual groundwork for my thesis project and created comps for all six pieces. This week I start actually working on the art, and I couldn’t be more excited. I will continue to post updates throughout the process.

a comp for one of the six pieces

a comp for one of the six pieces

 

Phase one of my book cover commission is complete. What Christine requested was an image that would evoke the imagery of Starhawk‘s Star Goddess creation myth:

“Alone, awesome, complete within Herself, the Goddess, She whose name cannot be spoken, floated in the abyss of the outer darkness, before the beginning of all things. As She looked into the curved mirror of black space, She saw by her own light her radiant reflection, and fell in love with it. She drew it forth by the power that was in Her and made love to Herself, and called Her “Miria, the Wonderful”.

Their ecstasy burst forth in the single song of all that is, was, or ever shall be, and with the song came motion, waves that poured outward and became all the spheres and circles of the worlds. The Goddess became filled with love, swollen with love, and She gave birth to a rain of bright spirits that filled the worlds and became all beings.”

– Starhawk, The Spiral Dance

Christine wanted something more anthro and less pin-up, but sensual none the less. I was up for the challenge. I started out with some very loose sketching trying to design shapes that would be appealing for the composition.

sketches

sketches

 

I then created six variations of silhouettes to see which I liked best. I decided that the second and sixth had the most potential for a pleasing composition that met the client’s criteria

silhouettes

silhouettes

From there I created some final thumbnail comps in photoshop to get an idea of how the silhouettes would look in the form of star clusters. I imagine the line work will be created out of stars (white light/linework) and the line/star clusters will dissipate the further they move away from the goddesses’ kiss. The same would go for the misty looking nebula color which I plan to paint in. To mimic that, I made the shapes/nebulas more transparent moving from the center outward in all of the comps.

As much as I think there is potential for lovely shapes with the full-body nebulas, the client doesn’t want the cover to resemble a pin-up in any way, so the faces definitely are less problematic in that sense. I also appreciate the possibilities of conveying intimacy in a more subtle way through facial expression with the face nebulas. Between the two comps that feature the faces, I prefer the third. It is the better composition, it contains the potential for key facial details, and it gives more room to show off the fading effect of the nebulas and line work. So this is the composition that I proposed for the book cover. Christine seems pleased with that decision, so the next step is creating the line work.

For all of you who celebrate, happy Valentine’s Day and a joyous Lupercalia to you! My boyfriend and I exchanged gifts early, since his work week starts tomorrow. More traditional gifts would include jewelry and chocolates, but we are far from traditional. (Bragging time) He got me my favorite candies, a big bag of tea lights, and the Wildwood Tarot, which I have been coveting for a long time! I got him a locally made set of runes – carved from white tail deer antler – complete with a handmade leather bag, and a Chinese zodiac pendant. And of course, a sappy, sappy card.

nerdy love

nerdy love