Dark Fairy and Fantasy Ball, Ostara, and More

Hello! I step out of the fray once more to deliver an update to you lovely souls whom are following my art.

I finished and scanned the line work for my Wild Hunt (of Portland) painting. For the assignment, I plan on creating the painting digitally, much like the treatment on my Oberon and Titania illustrations. After school is out, I’m planning on redoing the same painting in the mannor I dealt with my alchemy series.

linework for the Wild Hunt (of Portland)
graphite on strathmore paper

As you can imagine, the photo shoot I conducted to get the photo reference for this project was so much fun.  I’ll be sure to post the results when this piece is finished.

In my free time (which means the hour that I’m waiting for my sleeping pills to kick in every night) I have been working on this piece:

Adder and Hawthorne - digital media, Valerie Herron 2012

It’s the first of what I would like to be a series of plant & animal totem series. I will continue to post them as they are created 🙂

Next order of business: Portland’s First Annual Dark Fairy and Fantasy Ball!! APRIL 21ST!! Will Valerie manage to complete all her assignments in the next few weeks AND get all of her swag ready for vending AND original paintings ready for the gallery show? Of course she will, it will just involve a lot of swearing, lack of sleep and a lack of showering. People that don’t think artists work hard are crazy. Anyway, here is the all of the info if you are interested, AND YOU ARE DEFINITELY INTERESTED!

artwork and flier by Jesse Lindsay

This is a 21 and up event.The First Annual Dark Fairy and Fantasy BallPlease join us as we welcome the coming 2012 Spring in our own twisted way. Enjoy a night of Decadence, Dancing, Artwork, Performers, Vendors and much more.
See mystical dark artwork by local Portland artists, while you dance to the chaotic rhythms of faery music!
Be entertained by local Portland aerial, stilt and stage performers weaving a twisted spell taking you to the twilight world of the Unseelie court…DJ’s all night providing dark music to celebrate the darker side of spring!PERFORMANCES by:

Bhrigha Gypsikelt – Dark tribal Unseelie fae bellydance!

Aaron Schallock ~ Aerial Silks
Chaunda VanTassel ~ Fairy on stilts.

Infamous Nina Nightshade – Dark delightful burleque!

Ari Lynn & Meg Russel from Dreamscape theater – https://www.facebook.com/pages/Dreame-Scape-Theater/156563571061551

Elizabeth Soots ~ Dark fairy Bellydance!

Plus surprise guests!

VENDORS:

The Green Wolf – animal masks and tails, pagan ritual tools and implements.
http:/thegreenwolf.com

Rosarium Blends – Dark and fae oils
www.rosariumblends.com

La Vie Macabre
http://www.etsy.com/shop/LaVieMacabre?ref=si_shop
laviemacabrestore@gmail.com

Elizabeth Soots
Headdresses, hairclips and accessories.

Bratty Hats Brattyhats.com – Mini hats!

Conjure oils

Visual Artists:

Jesse Lindsay

Valerie Herron

Luke Green

Wes Rogers

Maxine Miller

Dan Boles

the rest TBA.

Costumes are highly encouraged but not required.

A limited number of tickets are now on sale and available through the calendar at the Mt Tabor website.
Save some money and assure your spot !$10 presale

http://thetabor.com/

Poster and flyer image by Jesse Lindsay http://www.facebook.com/theartworkofjesselindsay

Mt. Tabor Theatre
4811 SE Hawthorne Blvd, Portland
$15 at the Door. 9pm, 21 and up please.

As you can see, there are a collection of insanely talented people in this show that you must go see.

Last, I just wanted to wish everyone a happy Ostara, Easter, or whatever spring holiday you are observing this time of the year. I celebrated a late Ostara yesterday. I drove out to my favorite hide out (featured in the My Portland drawing) and ate breakfast. Check this view:

Blix says "Happy Ostara"

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My Portland

Our last assignment in my Experiments in Drawing class was to create a landscape drawing from somewhere in Portland that could also serve as sort of a tribute to Portland. I chose a landmark from a cemetery on the west side over by my apartment. I go driving and hiking in this secluded area of Portland whenever in the mood to run off into the woods. I brought the cityscape a lot closer in the composition. The spiral rock is not actually in the cemetery, I just wanted to add it as a nod to the neo-pagan vibe I find all over this city. It’s appropriate, considering the city is so Victorian (see: Arts and Crafts Movement.) My favorite feature of the city (and of all of the Pacific Northwest) are the crows, whom I had to pepper into the composition. And of course, the obligatory roses for the City of Roses.

My Portland - mixed media, Valerie Herron 2012

I really wish I had more time to work on this piece, and I will probably re-do it (seems to the theme as of late.) I really fell in love with Portland, OR. I moved here when I was 24 and it was here that I’ve made the most pivotal decisions and developments in my life. I know that I will probably have to move from here after graduation, which makes me sad. Portland is definitely its own little utopia in a way. Hopefully wherever I go, I can find as much magic in the scenery.

That being said, Portlandia is pretty apt, I have to admit.

All Hail the Mighty Tome

I was super into working in my various sketchbooks this semester. Here are some pearls that have happened over the semester from my personal illuminated manuscripts.

 

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Commercial Illustration test run

This illustration was for Illustration Word and Image. The assignment was to draw the commons at PNCA from observation, then take on of the model drawings we had down from class and superimpose it in the commons drawing. Then we were to tie it all together, with color and/or text if necessary to create a complete illustration. I found this assignment especially challenging as it is so far from the stuff that I normally due. Thankfully I have few issues drawing from observation.


To make a long story short, I drew the commons, drew the model, used light washes of gouache for color, inked in all of the contours, and then tied all of the empty spaces together by putting text over them. 


The text is totally irrelevant, I used the poem The Human Abstract by William Blake, and then as an extra something I wrote “BEESTICKS: what secrets do you hold?” in the background.

The Human Abstract
Illustration Studio I Spring 2010