My last project in Experiments in Drawing. We had a model come in for the last 2 classes and we were supposed to think of how to super-impose the model into a drawing.
I took some sketches of the model for reference. I drew the linework in graphite and ink, and then I scanned it in and colored everything in photoshop. The three hares are from a previous drawing of mine.
It’s not very experimental, nor is it very dark, but believe me: wheat takes an impressively long time to draw. Fact.
I spent the last few hour working on my promo-pack, which is my final in Cultural Marketplace. Once that’s finished I’ll post it up here. Wow, this is my last week of school. There’s a light at the end of the tunnel!
Hello! I step out of the fray once more to deliver an update to you lovely souls whom are following my art.
I finished and scanned the line work for my Wild Hunt (of Portland) painting. For the assignment, I plan on creating the painting digitally, much like the treatment on my Oberon and Titania illustrations. After school is out, I’m planning on redoing the same painting in the mannor I dealt with my alchemy series.
As you can imagine, the photo shoot I conducted to get the photo reference for this project was so much fun. I’ll be sure to post the results when this piece is finished.
In my free time (which means the hour that I’m waiting for my sleeping pills to kick in every night) I have been working on this piece:
It’s the first of what I would like to be a series of plant & animal totem series. I will continue to post them as they are created 🙂
Next order of business: Portland’s First Annual Dark Fairy and Fantasy Ball!! APRIL 21ST!! Will Valerie manage to complete all her assignments in the next few weeks AND get all of her swag ready for vending AND original paintings ready for the gallery show? Of course she will, it will just involve a lot of swearing, lack of sleep and a lack of showering. People that don’t think artists work hard are crazy. Anyway, here is the all of the info if you are interested, AND YOU ARE DEFINITELY INTERESTED!
This is a 21 and up event.The First Annual Dark Fairy and Fantasy BallPlease join us as we welcome the coming 2012 Spring in our own twisted way. Enjoy a night of Decadence, Dancing, Artwork, Performers, Vendors and much more.
See mystical dark artwork by local Portland artists, while you dance to the chaotic rhythms of faery music!
Be entertained by local Portland aerial, stilt and stage performers weaving a twisted spell taking you to the twilight world of the Unseelie court…DJ’s all night providing dark music to celebrate the darker side of spring!PERFORMANCES by:
Bhrigha Gypsikelt – Dark tribal Unseelie fae bellydance!
Mt. Tabor Theatre
4811 SE Hawthorne Blvd, Portland
$15 at the Door. 9pm, 21 and up please.
As you can see, there are a collection of insanely talented people in this show that you must go see.
Last, I just wanted to wish everyone a happy Ostara, Easter, or whatever spring holiday you are observing this time of the year. I celebrated a late Ostara yesterday. I drove out to my favorite hide out (featured in the My Portland drawing) and ate breakfast. Check this view:
I just finished submitting my 8 pieces for the PNCA Illustration Juried Show.This is the first time I’ve submitted work to a school show.
“50 images from the 2011-2012 school year will be juried into the show and displayed in an opening reception during First Thursday in April. Cash prizes will be awarded for Gold, Silver, and Bronze medal winners, + 5 Honorable Mention awards.”
Our department is full of extremely gifted illustrators, so I’m not banking on anything. It would be pretty cool to get selected though. These are the images I picked:
The last image wanted to be in the show sooooo bad, but I could only submit 8.
Spring Break begins today!!! It’s not too much of a relief, as I will be continuing to labor over my art all the way through the week. But I can’t complain, I don’t have classes to go to. Tonight I will be conducting a photo-shoot for my final project in my cultural marketplace class. I’m pretty stoked, I rented a bunch of photo equipment from the school and I have like 9 models working with me. I even got to borrow a bunch of shamanic costumery from the infamous Lupa. GO SEE HER AT PAGAN FAIRE TOMORROW!! She will make you look like a Shaman 🙂
Other than assignments, I will be working on getting my wares together for Portland’s first annual Dark Fairytale Ball. It’s only a month away and I have soooooooooooo much to do! Some of my original pieces will be in the gallery show, and I will also be vending.
Alright, I must now go get ready for the aforementioned photo shoot. I’ll keep you all posted on these various projects as they unfold.
Our last assignment in my Experiments in Drawing class was to create a landscape drawing from somewhere in Portland that could also serve as sort of a tribute to Portland. I chose a landmark from a cemetery on the west side over by my apartment. I go driving and hiking in this secluded area of Portland whenever in the mood to run off into the woods. I brought the cityscape a lot closer in the composition. The spiral rock is not actually in the cemetery, I just wanted to add it as a nod to the neo-pagan vibe I find all over this city. It’s appropriate, considering the city is so Victorian (see: Arts and Crafts Movement.) My favorite feature of the city (and of all of the Pacific Northwest) are the crows, whom I had to pepper into the composition. And of course, the obligatory roses for the City of Roses.
I really wish I had more time to work on this piece, and I will probably re-do it (seems to the theme as of late.) I really fell in love with Portland, OR. I moved here when I was 24 and it was here that I’ve made the most pivotal decisions and developments in my life. I know that I will probably have to move from here after graduation, which makes me sad. Portland is definitely its own little utopia in a way. Hopefully wherever I go, I can find as much magic in the scenery.
That being said, Portlandia is pretty apt, I have to admit.
Project 3 in my Cultural Marketplace class was to illustrate 3 poems in a sequence or from the same source. I chose Hymn to Pan, Dionysus, and Hymn to Lucifer by Aleister Crowley. While I truly love Crowley’s writing, and am fascinated with the man from a historical perspective, I chose these poems because A. I love to make my classmates roll their eyes for some reason and B. I never seem to illustrate men. I decided that I wanted the illustrations to be more devotional in nature than narrative, which is why they feel more like portraiture than an action panel. I had a very short amount of time to execute these paintings, so ultimately I do consider them to be works in progress. Here are the results:
To put them into further context for the project, I designed a border to tie more Thelemic symbolism into the images, and applied it to the images in photoshop. All together, the images are presented as plate illustrations for an anthology of Crowley poetry:
Hymn to Pan
Thrill with the lissome lust of the light,
O man! My man!
Come careering out of the night
Of Pan! Io Pan!
Io Pan! Io Pan! Come over the sea
From Sicily and from Arcady!
Roaming as Bacchus, with fauns and pards
And nymphs and satyrs for thy guards,
On a milk-white ass, come over the sea
To me, to me,
Come with Apollo in bridal dress
(Shepherdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautifal God,
In the moon of the woods, on the marble mount,
The dimpled dawn of the amber fount!
Dip the purple of passionate prayer
In the crimson shrine, the scarlet snare,
The soul that startles in eyes of blue
To watch thy wantonness weeping through
The tangled grove, the gnarled bole
Of the living tree that is spirit and soul
And body and brain – come over the sea,
(Io Pan! Io Pan!)
Devil or God, to me, to me,
My man! My man!
Come with trumpets sounding shrill
Over the hill!
Come with drums low muttering
From the spring!
Come with flute and come with pipe!
Am I not ripe?
I, who wait and writhe and wrestle
With air that hath no boughs to nestle
My body, weary of empty clasp,
Strong as a lion and sharp as an asp –
Come, O come!
I am numb
With the lonely lust of devildom.
Thrust the sword through the galling fetter,
All-devourer, all begetter;
Give me the sign of the Open Eye,
And the token erect of thorny thigh,
And the word of madness and mystery,
O Pan! Io Pan!
Io Pan! Io Pan Pan! Pan Pan! Pan,
I am a man:
Do as thou wilt, as a great god can,
O Pan! Io Pan!
Io Pan! Io Pan Pan! I am awake
In the grip of the snake.
The eagle slashes with beak and claw;
The Gods withdraw;
The great beasts come, Io Pan! I am borne
To death on the horn
Of the Unicorn.
I am Pan! Io Pan! Io Pan Pan! Pan!
I am thy mate, I am thy man,
Goat of thy flock, I am gold, I am god,
Flesh to thy bone, flower to thy rod.
With hoofs of steel I race on the rocks
Through solstice stubborn to equinox.
I rave; and I rape and I rip and I rend
Everlasting, world without end,
Mannikin, maiden, maenad, man,
In the might of Pan.
Io Pan! Io Pan Pan! Pan! Io Pan!
Aleister Crowley, 1929
I bring ye wine from above,
From the vats of the storied sun;
For every one of yer love,
And life for every one.
Ye shall dance on hill and level;
Ye shall sing in hollow and height
In the festal mystical revel,
The rapurous Bacchanal rite!
The rocks and trees are yours,
And the waters under the hill,
By the might of that which endures,
The holy heaven of will!
I kindle a flame like a torrent
To rush from star to star;
Your hair as a comet’s horrent,
Ye shall see things as they are!
I lift the mask of matter;
I open the heart of man;
For I am of force to shatter
The cast that hideth -Pan!
Your loves shall lap up slaughter,
And dabbled with roses of blood
Each desperate darling daughter
Shall swim in the fervid flood.
I bring ye laughter and tears,
The kisses that foam and bleed,
The joys of a million years,
The flowers that bear no seed.
My life is bitter and sterile,
Its flame is a wandering star.
Ye shall pass in pleasure and peril
Across the mystic bar
That is set for wrath and weeping
Against the children of earth;
But ye in singing and sleeping
Shall pass in measure and mirth!
I lift my wand and wave you
Through hill to hill of delight :
My rosy rivers lave you
In innermost lustral light..
I lead you, lord of the maze,
In the darkness free of the sun;
In spite of the spite that is day’s
We are wed, we are wild, we are one.
At Shigar Baltistan.
Aleister Crowley (date?)
Hymn to Lucifer
Ware, nor of good nor ill, what aim hath act?
Without its climax, death, what savour hath
Life? an impeccable machine, exact
He paces an inane and pointless path
To glut brute appetites, his sole content
How tedious were he fit to comprehend
Himself! More, this our noble element
Of fire in nature, love in spirit, unkenned
Life hath no spring, no axle, and no end.
His body a bloody-ruby radiant
With noble passion, sun-souled Lucifer
Swept through the dawn colossal, swift aslant
On Eden’s imbecile perimeter.
He blessed nonentity with every curse
And spiced with sorrow the dull soul of sense,
Breathed life into the sterile universe,
With Love and Knowledge drove out innocence
The Key of Joy is disobedience.
Aleister Crowley (date?)
Alright, well considering the Illustration department at PNCA are not big fans of pathos, nor pretention, that should be enough material to keep them patting me on the head for the rest of the semester. May all artists that have not revelled in pretention cast the first stone 😉
I know I mentioned this before, but Adobe Illustrator and I are not friends. I know that I need to make some effort in strengthening the quality of our relationship, however, since we will most likely have to work together for the rest of my life. I am not exactly thrilled to work with a coworker that forcibly micromanages your every move on a project, moves necessities when you aren’t looking, and generally can’t be reasoned with. Trying to work on Illustrator is like collaborating with somebody’s personality disorder on an art project. I’m half surprised that Illustrator hasn’t attempted to steal my boyfriend or burn down my apartment.
So after several days of frustration, mistakes, tweaking, and screaming at my laptop, I’m as done with the tile assignment as I’m gonna be:
It is far from perfect, but it’s not too bad for my second actual project made in Illustrator. I do plan on going back later and fixing the imperfections and fixing the composition for more seamless wallpapering. For now, I must walk away from this assignment before I throw my laptop.
Hello everyone. I have been so insanely busy it is just…. insane. Amongst all of this insanity, progress has been made on the Creatures of the Deep project. Here’s a little preview of the progress so far:
Who knew Deep Ones could be so cute? I will post the results when the project is finished. I also will begin painting my Crowley triptych tomorrow.
Tonight, I will be filming! At The Lovecraft, Raqs Obliettes will be performing a much anticipated show, Curiouser & Curiouser.
Now to decrypt that sentence:
The Lovecraft Bar is a horror-themed nightclub in Portland, OR. It is one of my favorite places in Portland, run by one of my favorite people in Portland, Jon Horrid. As you can imagine, they have several different theme nights (goth night, metal night, Tom Waits night, etc.) and host many different performances and events of the same ilk. The place looks like LaVey Satanists and H.P. Lovecraft enthusiast were hired for the interior decorating. Most likely, this is the case. One feature I love about this place is that they have a vegan menu that fits the Lovecraftian theme, and a selection of high quality teas that you can order in 16 – 24 oz pots. Again, I can not speak highly enough about this place, and you can often find me there. It is a must see if you come to Portland, OR.
Raqs Obliettes is a belly-dancing troupe with a dark aesthetic. Hands down, I have seen these ladies perform the best fusion belly-dancing EVAR! I believe this is the first themed show that they have performed, and I am most excited to see this Alice in Wonderland themed production of dark-fusion belly dancing, Curiouser & Curiouser. If you are in Portland, why on earth would you not go see this tonight? Doors open at the Lovecraft for this at 9pm. Just sayin’ 😉
Raqs Obliettes is led/produced by another one of my favorite people, Sushila Battagione. She is an experienced tarot-reader and energy worker, as well as Doula and enviably talented dancer.
Alright, I must get ready go do a million things. At what point did I cease to be a lazy person?
I have the pencilling and inking finished on what I’m now calling “The Crowley Trinity.” My puns have gotten out of hand lately, and I blame The Bugle entirely. Anyway, here’s a sneak peek at the triptych:
I’m debating on whether I want to finish these in aquarelle or digital painting. What do you guys think? I’ll sleep on it and see how I feel.
An in-studio assignment I have coming up is to create a wallpaper pattern. The goal is to create a pattern that can essentially be tiled and applied to things like iPhone and laptop covers, wrapping paper, notebooks etc.
Each one of us got a prompt to use as a theme for the assignment. Lucky for me, my prompt was “Creatures of the Deep.” I spent the last hour drawing deep sea critters:
I wanted to create sort of my personal homage to the art of Alchemy. It is an art that I am in awe of on all levels: the building blocks of modern chemistry, as well as a timeless means (or metaphor) for spiritual/personal transformation. I also love the idea that magicians and scientists were once almost one in the same. The persecution of scientists and magicians during the Spanish Inquisition is perhaps something relevant to re-examine during this present time of religious vitriol. Pardon the pun.
Alchemic symbolism a beautiful visual language. I’m not a fluent speaker, but hopefully my broken alchemic imagery will not make my Hermeticist friends cringe too much. So much of my work comes from my incessant need to romanticize the things I experience everyday. I have a love for the realm of Alchemy because I feel like an alchemist every time I turn on the coffee-maker and every time I combine mixed media into an art piece. Anyway, you get the point. Here is my Heraldic Alchemy series:
In the next week I will be starting my Aleister Crowley inspired triptych. Stay tuned!