Greetings! I am busy as ever, and I am thrilled to announce the following updates. I will blog about each of these projects individually as they unfold, but in the meantime here is a dangerous barrage of updates!
I have 2 shows coming up in the next 30 days! I will be showing my soon to be finished Isis piece at Gargoyles Statuary in their Goddess show on June 20th. If you are unfamiliar, Gargoyles Statuary is Seattle, WA’s one stop shoppe for all things dark and dreamy. They have the best selection of gothic statuary that I have ever encountered, as well as beautiful art, handmade fragrances, jewelry, and all manor of accoutrements for the dark arts and decor. If you can’t make it to the show, be sure to check them out online!
I will be at the grand opening of Custom Cranium in Eugene, OR on July 1oth with originals, prints, and cards. Custom Cranium is owned and operated by the most fabulous Darien and Adam Prawlocki, proprietors of Custom Cranium online. Be sure to check out and support your local taxidermy artist 🙂
This is the first of a new line of creations I shall be making, 6″x6″ mixed media on canvas. This one is already sold, but I will be making more. My vision for these pieces is that they will be totemic paintings, shields, and charms. I can already see a million animals, plants, runes, and more items that I will feature in these apotropaic images. Soon I will also be open to taking commissions for these totemic images. I will keep posting them as I create them, so stay tuned!
Perhaps the announcement I am most excited about: I am thrilled to be illustrating in the upcoming book by Morpheus Ravenna : The Book of the Great Queen. Soon to be published by Concrescent Press, this is a book about the Morrígan, Irish raven goddess of sovereignty, battle, and prophecy (also my personal Matron. DREAM PROJECT.)
The IndieGoGo campaign to fund this amazing tome is at this link. I encourage you to contribute! Support independent authors and publishers, and you know, illustrators 😉
“What a book a devil’s chaplain might write on the clumsy, wasteful, blundering, low, and horrible cruel work of nature!” – Charles Darwin, correspondence with Joseph Hooker (1856)
“When we reflect on this struggle, we may console ourselves with the full belief, that the war of nature is not incessant, that no fear is felt, that death is generally prompt, and that the vigorous, the healthy, and the happy survive and multiply.” – Charles Darwin, On the Origin of the Species (1859)
Charles Darwin (1809-1882) was and English naturalist and geologist who solidified evolutionary theory with his work On the Origin of the Species. While Charles Darwin continues to be a polarizing figure long after his death, many people are unaware of how polarized Darwin was in his own life. Darwin was heavily involved in the church throughout his life, and even initially attended college to become a clergyman. It was his close observation of nature that brought him to question the concept of intelligent design, specifically the abundance of what he deemed “cruelty” throughout the natural world. His faith continued to dwindle up to the day in 1851 when his daughter Annie died.
In this piece I wish to explore Darwin’s attempt to reconcile his discoveries in nature with his pre-existing faith. As an artist with a strong reverence of nature, I ask fellow nature-worshippers if these images fall into their visions of veneration. Last, I ask with this piece if cruelty is an inherent quality of nature, or if cruelty is a human projection upon nature.
I created this piece for the exhibition in Curious Gallery PDX. I felt it was in theme with the Victorian’s and their complicated relationship with science. Each image was presented as a separate photo plate within the piece, digital paintings combined with photo elements and treated for vintage effects to create a hybrid of painting and photography. Contemporary and antique visual elements, contemporary and antique sensibilities.
My triple super secret painting was a success! My buddy Jason had a landmark birthday this year, and so I wanted to commemorate this with a painting of Morgan Le Fay. I’m happy to say he was very pleased with it.
Morgan has been interpreted by so many artists over the centuries, it was definitely challenging to come up with an image that was largely original. I tried mostly to stay true to my personal vision of her, as mutable as that happens to be.
As I mentioned before, I was so fortunate to have the lovely Sushila Battagione model for this epic role, and she was absolutely perfect. Conducting this photo shoot reminded me how much I love photographing people for reference in my paintings, and I decided that I want to create a series of devotional paintings of Goddesses that I have found connections with over the years. I have already scheduled the photo shoot for my next painting, which will be of Isis. I will continue to post updates here as that process unfolds.
O sweet illusions of song
That tempt me everywhere,
In the lonely fields, and the throng
Of the crowded thoroughfare!
I approach and ye vanish away,
I grasp you, and ye are gone;
But ever by night and by day,
The melody soundeth on.
As the weary traveler sees
In desert or prairie vast,
Blue lakes, overhung with trees
That a pleasant shadow cast;
Fair towns with turrets high,
And shining roofs of gold,
That vanish as he draws nigh,
Like mists together rolled —
So I wander and wander along,
And forever before me gleams
The shining city of song,
In the beautiful land of dreams.
But when I would enter the gate
Of that golden atmosphere,
It is gone, and I wonder and wait
For the vision to reappear.
I finished the super secret painting. Unfortunately, I can not show you this piece until its great reveal, so stay tuned for next week: the return to aquarelle!
3 weeks ’til Faerieworlds! I am still enjoying my internship as the social media extraordinaire for Faerieworlds LLC. This weekend I will be at an exciting pre-event celebration for FW down in Eugene, OR doing live tweeting, facebooking, and enjoying myself. If you are in the area, or are within driving distance, you should come out. All the details are here on this lovely flier:
Since I haven’t any of my own art that I can share with you at the moment, I thought I would share this beautiful piece of video art that I came across last week. Even though it is old news in the world of fine art theory and practice, I can never get over the many ways that mythology is recycled and manifests in the arts. I definitely subscribe to the Jungian and Campbell-ian theories about myth, in the sense that studying mythology is the path to understanding the human psyche and the human experience. This exercise is one of the biggest inspirations behind my work.
This video is a contemporary rendition of the Actaeon myth recreated in a Victorian setting. It was inspired by the painting Diana and Actaeon by baroque artist Titian. I would also like to point out his painting The Death of Actaeon for further context. The video was created by Tell No One for the National Gallery in London.
Happy Wednesday, All. As promised, I am going to commit to updating this thing at least once a week. So what’s going on in Mystic Media studios today:
I CAN’T TELL YOU! Normally I would post about the process of my projects, but I’m in the process of working on a top secret painting. I will let you know this, however. It will be mixed wet media, much like my Crowley poem series, and I was fortunate enough to have the gorgeous and talented Sushila Battagione to model for this painting. I’m hoping to have it finished by the 1st of July. Stay tuned!
**NOTE: Does this lady look familiar? That’s because you probably know her either from her artistic excellence in producing Raqs Oubliettes or from her many services and workshops via her health spa Oracle Wellness. If you are unfamiliar with either of these enterprises, I insist that you check them out immediately!**
I was so pleased to receive so much positive feedback on my thesis post, I was even quoted in The Wild Hunt (WHAT?) Thank you guys for taking an interest in my art and taking the time to tell me what you think. And thank you all for being so forgiving about the offensive amount of typos in my mini dissertation! I basically sat down and typed it all out in an hour, so it was naturally rife with mistakes. Meh. Thankfully my actual 50 page thesis paper was coherent and beautifully copy-edited.
Enough with the face-saving. There isn’t much else new and exciting going on around here. I did get to visit with my dear friend Sean who blew in from the midwest this week. We went to The Lovecraft and caught up a little bit. I brought my sketchbook and drew in the dark. C’mon, that isn’t nearly as pathetic as reading a book in the club. Is it?…
OH YEAH, it was my birthday on Sunday. I had a wealth of birthday wishes, my best friend Kelli took me out for dinner, my boyfriend organized a surprise goth pool party for me (for realz) I received 2 birthday readings and my dear friend Maxine Miller gave me this AMAZING cimaruta. Maxine is the artist that designed this cimaruta for Raven Grimassi‘s line of witchy products. I was stoked to get it from the artist herself ❤
Hi folks! This is officially the last two weeks I have to work before I present my thesis project. A biproduct of this is that I haven’t been able to update my blog here until now. So first off, here is the finished product of my obsession illustration:
And here are some details on my thesis painting progress. I’m so close to being finished! Wish me luck on the home stretch of my studio work for this project.
The midterm review was a little intense. I had to present my thesis concept to a panel of professionals (my panel consisted of art directors from the design, comics and gaming industries, and one freelance artist.) I also showed them my process and my work in progress. Here is a glance of the process behind my Brutality piece, the first image in the series. These are just a few of the items that I presented:
The panel thought my project was very strong conceptually, and they really responded to the work itself. I was thrilled. I also presented my current portfolio. Why yes, that is gold leaf!
The panel seemed excited about my work. They were all very nice, and gave extremely thoughtful feedback. This was definitely the help and encouragement I needed to push forward into the rest of my studio work over the next 6 weeks. And I must thank my amazing thesis mentor Annie Heisey once again. She knows exactly when to push me and when to not freak out! It’s a crucial balance that I think I need from all the people in my life, but she has been especially helpful this semester and I’m sure I’ll gush about her awesomeness a few more times before all of this insanity is over. Thanks, Annie.