Hello! So, I’ve been a busy bee this last month. I was part of a fantastic local show organized by Lupa called Curious Gallery.
“Long before public museums became a feature of many cities, private citizens in Europe and elsewhere formed their own extensive collections of scientific specimens and cultural artifacts meant to educate and inspire their beholders. A longtime collector of natural history specimens, Portland artist and author Lupa wanted to increase awareness and appreciation of wunderkammern (“wonder cabinets”), or cabinets of curiosity, and their eclectic contents. Curious Gallery is the result, a weekend of exhibits, presentations, hands-on workshops, and special programming for lovers of taxidermy, natural wonders, and strange treasures old & new.”
– from Curious Gallery PDX website
This exhibit contained all sorts of curiosities. It was as if H.P. Lovecraft helped to curate a natural history museum. Loads of taxidermy art, objet d’arts arranged from wood and moss and bones, art boxes filled with lovely and horrid treasures, jewelry created from scorpion claws and beetles, and lots of intimidating and beautiful metal art. Plus a full line up of entertainment, lectures, and workshops on a myriad of interesting pursuits. I was privileged to be amongst the 2D artists there. It was a very successful event for me, and such a stunning experience. I must congratulate and thank Lupa Greenwolf & Stephen Couchman (organizer of GearCon) for producing such a magnificent show.
FaerieCon West is in but a few weeks! What makes this even more nerve-wracking than usual for me would be the fact that I am on a panel this year! Why did this happen? My boss thinks my tears are delicious. I’m stoked to be giving the talk with the illustrious and endlessly fabulous Maxine Miller. The talk is “ART & SPIRIT: A conversation with Maxine Miller & Valerie Herron” and will be 4:00-4:45pm on Saturday, February 22 in the Mythic Forum Area 3.
Hello! I’m back from an insane week of decompressing from FaerieCon West and catching up on my work. I have finished my Star Goddess illustration!
I mentioned in the last post that Christine Hoff Kraemer had commissioned this illustration from me. Christine is a religious studies scholar, specializing in Paganism, sexuality, theology, and popular culture. She is a teacher, a prolific author, and the managing editor of the Pagan channel at Patheos.com. I was absolutely thrilled and honored that she sought me out to create the cover illustration for her upcoming book Eros and Touch from the Pagan Perspective: Divided for Love’s Sake.
Finished with the thumbnails, I proceeded to create a textural background that I could scan into the image. I created this with a mixture of wet media: gouache, acrylic ink, and liquid acrylic paint. I felt like I was back in Anna Fidler‘s studio! When I create these kinds of textural pieces, I really feel like I’m in communication with the animal part of my psyche, or maybe my subconscious, that part of me that doesn’t analyse but simply responds to stimuli. It is very meditative.
Then I moved on to the line work. I knew that the lines in this image would mainly be a scaffolding for the painting, and I was prepared to remove it all together. For this reason I tried to make it as simple as possible
This drawing was deceptively challenging. Because I was painting God Hirself here, my goal for the figures were for them to be feminine, but ultimately gender-neutral. I was also very concerned with being able to express the angles of the faces without much detail, which was difficult. This was was probably my fifth attempt at drawing this.
I then scanned everything in and started painting digitally. Here are screenshots to show you some of the process:
And here is the final result:
I’m happy with her, and Christine seems to be as well.
On another note, I wanted to say that working at FaerieCon West 2013 last weekend was an amazing experience. It was extremely high energy and chaotic for me as part of the staff, but it was exciting. When I got home I was apparently still reverberating with all of this insane fae energy, my boyfriend asked me what it was like and all I could say is “I feel like I just spent the last three days doing meth with my boss in a hotel filled with glitter.” It was magical!
Faerieworlds LLC is such a wonderful creative enterprise. There is something very empowering about giving people permission to harness their creativity and step into fantasy roles which express something very real about their inner selves. I have had a few conversations with the producer of Portland’s annual Vampire Masquerade Ball who has expressed that that is the main reason she runs the ball every year. She loves to see people feel beautiful and empowered at her event.
I view these sorts of events as giant art instillations that implore the viewers to interact. In fact, the instillation is comprised mostly of the participants and their contributions. It was truly amazing to be part of such a gorgeous, giant, crazy piece of living art and I look forward to working with Faerieworlds LLC as long as I can get away with it.
Hello! I am back from hibernation and I am now forced (via Advanced Illustration) to provide weekly updates here. Hooray! I’m actually glad I’ll be getting back into the habit of updating this blog, I love sharing the process of my various projects and keeping in touch with everyone.
Thesis update: I managed to create a solid thesis proposal, and I think I did a good job delivering the presentation. The amazing Annie Heisey agreed to be my thesis mentor, and I couldn’t be more thrilled.
So that was last semester. So far this semester I have been doing a lot of ideation on my thesis, and I am just now starting to rework the visuals. The conceptual aspect of this project is in a major distillation period, and things are really starting to come together. Stay tuned for updates on the process of my thesis project.
As a follow up to my last post, I completed the cd cover illustration and the cd packaging design for the Hermetic Library’s 5th anthology album. John Bell (the Librarian) was really great to work for. He was very nice, knew specifically what he wanted, and has great design sensibilities. All of these things make a world of difference when trying to communicate with clients via email. I would love to do more work for The Hermetic Library in the future. Here’s the final cover piece:
“For the cover art of this anthology, I wanted to create something that was in the spirit of the Hermetic Library project, as well as something that honored this time of year. Autumn is the season of rot, and the process of death and decomposition is apparent in every direction. Leaves wither off the trees, the days grow darker, and the chill of encroaching winter begins to creep into our lungs. The veil between the worlds is receding, and the gaze of otherworldly things is palpable. I wanted to interpret this seasonal ambiance into a dark composition accompanied by the simplicity of line.
A grim icon that truly seems to resonate with people right now is the deer skull. I have seen it in numerous places lately, appearing to have surfaced from the collective unconscious with great purpose. I felt it was an appropriate memento mori for this image. The bind rune is a glyph that is representative of the mythical Wild Hunt: a phantasmal cavalcade, tracking and claiming the lives of mortals. Lastly, the leather book texture is a nod to the Hermetic Library itself.” – My statement about the cover art, from hermetic.com
I was happy to end the semester with one of my favorite illustrations that I have ever made. I created it for my Advanced Illustration class, it’s and homage to American Gothic literature, which I was inundated with at the time:
I’m happy to announce that I will be having a solo gallery show this summer! I will announce the details closer to the date, so stay tuned. Second, I am working on my first book cover commission. Also, I am honored to be creating an jacket illustration for Christine Hoff Kraemer‘s newest book. I don’t think she’s promoted it yet, so I’ll keep the title under wraps. I will post the developments of these projects as they unfold.
Last, my internship for Faerieworlds LLC continues as we are gearing up for FaerieCon West. If you are in the Pacific Northwest the weekend of February 22nd and you are interested in a giant fantasy convention complete with two Masquerade Balls, a slew of vendors, talks/workshops by a ton of rad people, you should check it out. I will be there all weekend doing media stuff. Here’s the official website for details: http://faeriecon.com/west/
That’s all I have for now. I’ll be back next week 🙂